The best place out of the wind was in between piers, with the stacked lobster traps all around.So much architechture to contend with. Oil on 1/8 plywood over clear gesso.
Liz, I like how the forms in most of the painting are done simply while still conveying what they are and their spatial relationships... and then the more detailed building peeking out from the distance. Neat.
Liz, I like how the forms in most of the painting are done simply while still conveying what they are and their spatial relationships... and then the more detailed building peeking out from the distance. Neat.
ReplyDeleteYou've captured a nice sense of depth in the image with the lighter forms in the background and deep darks in the foreground.
ReplyDelete